斯代法诺·穆纳林 ／Stefano Munarin
意大利
威尼斯建筑大学城市规划副教授 associate professor in Urban Planning at the Università Iuav di Venezia
Italy
2018年12月1日, M9博物馆在美斯特作为“文化区”揭幕。这个全新的区由来自柏林的建筑事务所Sauerbruch Hutton的标志性建筑组成。该区致力于 X X 世纪文化, 但也是城市空间综合系统的成果 (M9博物馆、临时展览厅、会议中心、酒吧、餐厅和商业区)。事实上博物馆本身已成为一个工具和一个契机, 启动城市复兴进程,并使其成为城市的重要部分。
我们的整个工作过程(走访和办公室工作) 旨在宣传和展示这个“M9博物馆区”, 及其各具特色的不同空间, 从各种假设出发, 强调美斯特现代城市和威尼斯历史古城周围环境之间所有可能性和本质之间的联系。
1. 新城区特有博物馆色彩斑斓的墙面，像陨石一样，能释放出更多能量。它将与城市中已有的其他风俗文化（威尼斯博物馆和文化宫、剧院、马格拉堡垒、电影院、图书馆和社交聚会场所）产生联系（在现实中合作）。
2. XX世纪博物馆位于美斯特，而非威尼斯岛，因为美斯特本身就是一个露天XX世纪博物馆。事实上，美斯特对于整个意大利来说就是XX世纪的成果，正因如此，游客们认为在进入博物馆之前，直接在这个空间里找到、看到或者研究真实的历史元素更加有趣。
3. 与上一点相关，还可以重绘城市空间，以配合从城市交通枢纽（火车站、电车或公交站）或城市一般区域来到博物馆的游客，尤其是步行而非开车的游客。例如，容纳数千名旅客的新酒店和车站附近能从容步行（15分钟）至博物馆和市中心的酒店，还有在威尼斯劳顿一天之后可享用的可口晚餐或饮品。
4. 最后，值得 “展示” 的不仅是博物馆，还有其与城市、地区、国家以及全世界之间真实的关系和理想的协同。
到此即为M9主题。XX世纪的未来，因为文化区和M9博物馆本身就是一个重新开始的“契机”，让我们对未来、对整个城市重新开始产生新的见解，我们已经并且必须保持努力尝试和展望未来。
In Mestre on first December 2018 the M9 Museum has been inaugurated as a “cultural district”. The brand new district is made of the iconic building from Sauerbruch Hutton, a Berlin based architectural o ce. The district is dedicated to the XX century culture, but it is also the result of a complex system of urban spaces (The M9 Museum, the temporary exhibition hall, conference center, bars, restaurants and commercial spaces). In fact the Museum itself became a tool and an occasion to implement the urban regeneration process on a broad and important part of the city.
Through our work (walks, interviews and workshop) we aimed at telling and displaying this “M9 Museum district”, and its different spaces with its features, highlighting over all the possible and essential links between the modern city of Mestre and the historical city of Venice with their surroundings starting from some hypothesis.
1. The new urban district, featured by the multicolor facade of the museum, as a meteorite, will emit the more energy it will be linked (physically and cooperatively) with other institution and cultural activity already in the city (the Venetian Museums and cultural places, the theaters, The Marghera Fortress, cinemas, libraries and social meeting places).
2. This XX century Museum is in Mestre and not on the island of Venice because Mestre is itself an open air XX century museum. As matter of facts Mestre, in the whole Italy, is widely the result of the XX century and for this reason it is considered more interesting for a tourist finding back real elements, maybe seen or studied before in the museum, directly in the space.
3. Relating to the previous points, also the urban space could be redrawn to accompany the visitor from some strategic nodes in the city (railway station, tram or bus stations) to the museum and more in general to the city center, especially on foot instead of motorized vehicles. For instance the thousand tourists accommodated in the new hostels and hotel around the station could fancy going for a walk to the museum and the city center (15 min.), combining a nice dinner or a drink after a long day in Venice.
4. Ultimately, it's worth “showing” not only the museum but also the tangible relationships and the desirable synergies with the city, the region, the country and the world as well.
From here is the title M9. The future for the XX century, because the cultural district and the M9 Museum itself are the “occasion” to re-start from a new insight into the future, overall in a city which has and has to maintain the effort to experiment and looking ahead.
